When you have a 35-foot or longer lag putt I advise you to take a long preview practice stroke that you “feel” will roll the ball stone-cold dead to the hole. In all cases if you don’t like the look or feel of your previews keep making them until your mind’s-eye tells you they’re perfect.
Which brings me to another of my deep-rooted tenets: you don’t have to use the same grip on all putts. Run your own test on the practice green. If the saw feels good on short and medium-length putts commit to it for 10 straight rounds.
Most also spend a majority of their warm-up and practice time grooving or rehearsing their full swings on the range; they may manage to get a few putts in but then it’s usually off to the course for an adventure-filled 18.
I take my cues from the game’s best putters who strive to never doubt the amount of break they plan to play after they’ve read the green. They commit to whatever amount of break they see and then try to match their putt speed to allow the ball to break that amount into the cup.
Even if a player hits two good shots there’s still the matter of sticking your approach in the right spot. Players better hope they’re not past or above the hole or that the ball hasn’t rolled into the back fringe or over the green because it’s darn near impossible to stop any pitch shot or putt in the opposite direction.
Regardless of skill level putting accounts for approximately 43 percent of your total strokes taking into account your good putting days and the ones where you’re ready to snap your flatstick over your knee. Lower this percentage and your scores will go down. Allocate at least one-third of your practice time to becoming the best putter you can be.
That’s the saw’s primary advantage. It automatically removes any temptation to rotate the putterface through impact and almost assures a square strike. Granted the saw grip won’t work for everyone (remember we’re all different).
Think about how you usually go about putting. You look at the green between the ball and the cup and “read” how much you think the putt will break on its way to the hole. You then make a few practice strokes and putt.
At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
Drop one ball into the rough another into a normal fairway lie and tee up the third so it’s about a half-inch above the grass (photo above). The goal is to land all three shots in the same place on the green about a third of the way from the edge to the flagstick. (Repeat any shot that misses the landing spot.)
Bunkers left and right of the green are there to punish inaccuracy; heaven help the player who finds the sand on the right — he’ll face a huge change in elevation to a green running straight downhill from his line of flight. As I said Shinnecock is beauty and beast.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.