From my testing over the last 10 years with amateurs in my schools and professionals on the PGA Tour the saw grip consistently provides superior results for putts inside 10 feet and good results for putts from 12 to 20 feet. But performance on long putts tends to be worse than with conventional grips.
Whenever you set up for this shot be sure to make a few practice swings to check the position of your scuff marks on the ground. At address you want your ball to be centered in the area that your clubhead normally scuffs which will give you the cleanest contact possible through impact. It’s not all automatic however — it’s still up to you to figure out how the ball will break and roll after it hits the green.
Here’s your homework: On the green make the last couple of practice strokes with this (and only this) in mind. Focus on matching your speed to the break you read. You’ll start pouring ’em in from all over. And remember lip-ins count the same as ones hit dead in the center of the cup.
At that time Shinnecock’s greens measured in the 4- to 5-foot range and even then they were considered outrageously sloped severely undulating and very difficult to putt. Come this June 14 these same greens will roll at 12-foot green-speeds requiring the most deft green reading and putting touches on earth. Good luck fellas.
One of the things that separates Tour players from the rest of us is that the former are intimately familiar with their games. They know how different shots will unfold regardless of where the ball is sitting especially around the green (where difficult lies abound). Not surprisingly that’s where weekend players tend to cough up strokes.
Add it all up and players are left with a miniscule effective landing area to stop shots near the flagstick. In 2004 No. 13 — the shortest par 4 on the course — surrendered only 54 birdies in 442 attempts.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.
Raymond Floyd who grabbed his lone U.S Open here in 1986 recently tipped me off to this Shinnecock secret. If you moved every hole so that each tee box originated at the clubhouse you’d discover how Shinnecock forces you to play toward all points on the compass.
Again you don’t have to read the break or aim perfectly or even start your putts perfectly on line to make putts. But you do have to be close on both. You have to stroke your putts to roll at a close enough speed to match the break you played.
Drop one ball into the rough another into a normal fairway lie and tee up the third so it’s about a half-inch above the grass (photo above). The goal is to land all three shots in the same place on the green about a third of the way from the edge to the flagstick. (Repeat any shot that misses the landing spot.)
You often encounter shots from non-level stances on uneven contours around the greens which wreak havoc on your wedge results. Suddenly your wedge swing is bottoming out in a different spot relative to your stance and you may be at a loss as to where you should position the ball. Enter green-then-white contact and a heavy dose of extra strokes from short range.
Have you ever taken a snapshot of one of your rounds? Say for example you just finished posting a 96. Have you ever actually taken the time to write down the clubs you used and how often you used them? You may not realize it but you can learn a lot about your game — and how to practice — from this information.