I’m eager to see which pros will do likewise; who will manage the conditions and warnings of Shinnecock while finding a way to maintain confidence. More than anything I’m anxious to see the course again and its magnificence. The Open doesn’t get any better than this.
Raymond Floyd who grabbed his lone U.S Open here in 1986 recently tipped me off to this Shinnecock secret. If you moved every hole so that each tee box originated at the clubhouse you’d discover how Shinnecock forces you to play toward all points on the compass.
When your front foot is above your back foot keep the ball centered in your stance. But this time tilt your upper body so that your left shoulder is higher than your right. Whereas the previous setup subtracted loft from the face this one adds it. Use a less-lofted club.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.
The worst miss however is long over the back of the green and down the hill behind it. From back there and even from the back fringe the green falls directly away from you — and fast! It’s almost not fair.
Whenever you set up for this shot be sure to make a few practice swings to check the position of your scuff marks on the ground. At address you want your ball to be centered in the area that your clubhead normally scuffs which will give you the cleanest contact possible through impact. It’s not all automatic however — it’s still up to you to figure out how the ball will break and roll after it hits the green.
Standing on the 18th tee at Shinnecock — with the fairway disappearing beautifully into the distance and the stately clubhouse on the horizon — is one of the singular thrills in golf. As I gazed upon this grand finale I thought of the players who will be taking in the same view come June 17 a possible United States Open Championship within their grasp. What a moment.
Each picture—taken shortly after impact with a driver (left) pitching wedge (middle) and putter (right)—shows that my right hand is in almost the same position just after the strike: a little “on top” of the shaft and in-line with the target line.
If you execute about a dozen of these escape swings on the range every time you practice you’ll quickly learn how punch shots typically react after impact. It’s critical to know—and be able to control—how far these shots fly and roll out. There’s nothing worse than hitting an escape shot “perfectly” only to see it carry too far or roll into even greater trouble.
It’s not all purgatory. Many of Shinnecock’s greens are downright friendly with raised edges that funnel shots toward the center of the putting surface. Most however are shaped to repel shots away from the flagstick and in some cases off the green entirely. Be advised: every green features serious undulation. A few are so sloped that it’s impossible to imagine the ball stopping on its own.
You need two things to make breaking putts: 1) a stroke that starts the ball on your chosen line and 2) the correct amount of speed so the ball can hold that line all the way to the cup. Good line good speed—nailing one isn’t enough.
When you miss your putts should end up 17 inches past the hole. If you roll them faster you’ll suffer more lip-outs. Roll them slower and the ball will be knocked off line by imperfections (footprints pitch marks etc.) in the green.