At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
There are four parts to every short-game shot. Failing in any area will almost surely lead to a poor result. They are: This article addresses the first — and perhaps the most important — part of the shot equation. If you can’t pull off good shots from bad lies you’ll never reach your scoring goals.
This hole looks easy but plays downright nasty if the wind is up. From the fairway the green appears tame. What’s difficult to pick up is the severe extended false front the substantial runoffs to the right and left (into bunkers no less) a steep fall-off near the back and a gentle crown in the middle.
Here’s your homework: On the green make the last couple of practice strokes with this (and only this) in mind. Focus on matching your speed to the break you read. You’ll start pouring ’em in from all over. And remember lip-ins count the same as ones hit dead in the center of the cup.
Don’t just drop a few balls and putt without a plan: Do a few long putting drills to help you figure out the green speed and always include a short putting drill to keep that part of your game sharp. For wedge practice spend time grooving your wedge distances—you’ll be amazed at how quickly you start knocking down pins when you know exactly how far you can carry each wedge.
That’s right — I pulled an “o-fer.”I left three of the six shots in the rough and dribbled one into the bunker. The remaining ball? I assume it’s still burrowed somewhere deep in the fescue. I never found it.
You may also have noticed the unusual array of clubs and balls on the ground in front of me. What I’ve done is created five groups that together represent a typical round of 96 shots in terms of the number of shots hit with each type of club:
The two keys to achieving this goal are to a) make sure your clubhead makes clean contact with the ball and b) select a safe escape route to your target that’s ahead of where you would have been with a better swing.
When you miss your putts should end up 17 inches past the hole. If you roll them faster you’ll suffer more lip-outs. Roll them slower and the ball will be knocked off line by imperfections (footprints pitch marks etc.) in the green.
Again you don’t have to read the break or aim perfectly or even start your putts perfectly on line to make putts. But you do have to be close on both. You have to stroke your putts to roll at a close enough speed to match the break you played.
The beauty of the punch shot is that you can pull it off with any iron in your bag from 3-iron to pitching wedge which gives you a wide variety of distance options. Remember trouble is out there and you will find it. But now you have more than a puncher’s chance of keeping the damage to a minimum.
Even if a player hits two good shots there’s still the matter of sticking your approach in the right spot. Players better hope they’re not past or above the hole or that the ball hasn’t rolled into the back fringe or over the green because it’s darn near impossible to stop any pitch shot or putt in the opposite direction.