At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
One of the things that separates Tour players from the rest of us is that the former are intimately familiar with their games. They know how different shots will unfold regardless of where the ball is sitting especially around the green (where difficult lies abound). Not surprisingly that’s where weekend players tend to cough up strokes.
As you can see the green is high in the back right and has more than four feet of elevation change down to the front-center. The putting surface slopes away from both the left- and right-side bunkers making it difficult to stop sand shots close to short-sided pins.
This hole looks easy but plays downright nasty if the wind is up. From the fairway the green appears tame. What’s difficult to pick up is the severe extended false front the substantial runoffs to the right and left (into bunkers no less) a steep fall-off near the back and a gentle crown in the middle.
And it can be — under normal circumstances. It’s not too difficult if the course is playing soft and slow despite the fact that the green is seriously sloped elevated in relation to its surroundings and crowned at two-thirds of the way from the front. Its reputation as a monster stems from the fact that in 2004 the winds completely dried out the green and made it play extremely firm and fast.
In my opinion the only way to develop this skill is through experience. Pros have the advantage of unlimited practice time but you can begin to catch up with a simple three-shot experiment that I use in my schools. Its entire purpose is to open your eyes to the various backspin outcomes that can be created by the type of lie you’re facing.
Of course practicing ball position and wedge swings at the range isn’t exactly like launching scoring shots on the course. In practice every lie (or nearly every lie) is perfect. In actual rounds imperfect lies abound.
Of course my personal answer to the original question is “Yes I listened.” I obeyed what the slopes crowns contours wind green firmness and speed asked of me. I’ve been around the game a long time yet Shinnecock always teaches me something new.
The process is simple. During your warm-up on the range check the divots you carve with your wedges. Their position relative to your stance indicates the low point of your swing. If you position the ball slightly behind the middle of your typical divot you’ll begin hitting wedges like Tom Kite—one of the best wedge players the game has ever seen. Take a look at his action in the photo below.
This change in grip position effectively shortens the clubshaft and takes a slight amount of power out of the swing making it a little easier to keep greenside shots under control.
There are four parts to every short-game shot. Failing in any area will almost surely lead to a poor result. They are: This article addresses the first — and perhaps the most important — part of the shot equation. If you can’t pull off good shots from bad lies you’ll never reach your scoring goals.
This is the natural position for nearly all golf swings except putting. The only reason you see my right hand in that position in the putting photo is that I’m using a saw grip. If I had started with a conventional grip and allowed my right hand to rotate into position as in the other two pictures my putterface would be dead shut and I probably would have missed the putt.