Although the saw grip falls into the “alternative” or “unconventional” category it may be the most natural hold of all because with the saw grip your right hand never strays from the correct impact position from start to finish.
At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
Madness! More than any other hole No. 10 rolls all of Shinnecock’s mysteries into one: elevation slope contour wind and firm and fast greens. From the tee box the 11th green looks relatively flat. That’s because you can’t see most of it.
You need two things to make breaking putts: 1) a stroke that starts the ball on your chosen line and 2) the correct amount of speed so the ball can hold that line all the way to the cup. Good line good speed—nailing one isn’t enough.
Don’t just drop a few balls and putt without a plan: Do a few long putting drills to help you figure out the green speed and always include a short putting drill to keep that part of your game sharp. For wedge practice spend time grooving your wedge distances—you’ll be amazed at how quickly you start knocking down pins when you know exactly how far you can carry each wedge.
There are four parts to every short-game shot. Failing in any area will almost surely lead to a poor result. They are: This article addresses the first — and perhaps the most important — part of the shot equation. If you can’t pull off good shots from bad lies you’ll never reach your scoring goals.
Regardless of which way it’s blowing players must deal with the wind at their backs in their faces and from the left and right in almost equal amounts. “Genius” says Floyd and I agree with him. More than any other major venue on American soil Shinnecock requires those who play it decipher the effects of the wind on every single shot independently. In other words Shinnecock plays no favorites.
Adding this grip-down motion to your arsenal isn’t a difficult change to make. As you can see in the photo above I’ve choked down about six inches and the only other changes I’ve made are to stand slightly closer to the ball and use a little more knee bend.
Again you don’t have to read the break or aim perfectly or even start your putts perfectly on line to make putts. But you do have to be close on both. You have to stroke your putts to roll at a close enough speed to match the break you played.
The green is the second-largest on the course with a consistent elevation drop of four feet from back to front (though mild undulations help channel shots toward the center of the green). Depending on the wind direction don’t be surprised to see some players swing driver here. It’s an absolute beast.
As you can see the green is high in the back right and has more than four feet of elevation change down to the front-center. The putting surface slopes away from both the left- and right-side bunkers making it difficult to stop sand shots close to short-sided pins.
In my opinion the only way to develop this skill is through experience. Pros have the advantage of unlimited practice time but you can begin to catch up with a simple three-shot experiment that I use in my schools. Its entire purpose is to open your eyes to the various backspin outcomes that can be created by the type of lie you’re facing.