The green is the second-largest on the course with a consistent elevation drop of four feet from back to front (though mild undulations help channel shots toward the center of the green). Depending on the wind direction don’t be surprised to see some players swing driver here. It’s an absolute beast.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.
The seventh hole at Shinnecock Hills is the ultimate example of why you need to leave approach shots below the hole on severely sloping greens. As you watch the Open count how many times the players who end up above or right of the pin on No. 7 wind up three-putting. It was a pivotal hole in the 2004 U.S. Open. Expect more of the same this year.
Have you ever taken a snapshot of one of your rounds? Say for example you just finished posting a 96. Have you ever actually taken the time to write down the clubs you used and how often you used them? You may not realize it but you can learn a lot about your game — and how to practice — from this information.
I take my cues from the game’s best putters who strive to never doubt the amount of break they plan to play after they’ve read the green. They commit to whatever amount of break they see and then try to match their putt speed to allow the ball to break that amount into the cup.
Here’s your homework: On the green make the last couple of practice strokes with this (and only this) in mind. Focus on matching your speed to the break you read. You’ll start pouring ’em in from all over. And remember lip-ins count the same as ones hit dead in the center of the cup.
Again you don’t have to read the break or aim perfectly or even start your putts perfectly on line to make putts. But you do have to be close on both. You have to stroke your putts to roll at a close enough speed to match the break you played.
At the same time the existing contours and slopes on these greens have remained unchanged. This combination of smoother faster surfaces with consistent slopes (not to mention less aggressive grooves on your wedges thanks to rules changes) has made it crucial that golfers possess a soft deft touch with their short clubs if they want to successfully handle superfast downhill pitch and chip shots.
Regardless of which way it’s blowing players must deal with the wind at their backs in their faces and from the left and right in almost equal amounts. “Genius” says Floyd and I agree with him. More than any other major venue on American soil Shinnecock requires those who play it decipher the effects of the wind on every single shot independently. In other words Shinnecock plays no favorites.
The goal of my visit was to paint a picture of the challenges that await the best players in the world so you can better appreciate the drama sure to unfold before your eyes during the playing of the 118th U.S. Open whether you’re there in person or catching it on TV.
Having the “touch” in your mind’s eye to know how firmly to stroke a putt (so its speed matches the break) and then also having the “feel” in your body to execute that touch is gained only through experience and solid practice. See No. 1.
Three putts are shown rolling to the hole on three different lines one ball width apart from the ball(s) next to it. Consider the center line as perfect and the others slightly imperfect. The middle ball is a guaranteed make. The others the “imperfect” ones? They’ll go in too because they’re close enough to perfect to catch the edge of the cup and lip-in.