Drop one ball into the rough another into a normal fairway lie and tee up the third so it’s about a half-inch above the grass (photo above). The goal is to land all three shots in the same place on the green about a third of the way from the edge to the flagstick. (Repeat any shot that misses the landing spot.)
At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
The seventh hole at Shinnecock Hills is the ultimate example of why you need to leave approach shots below the hole on severely sloping greens. As you watch the Open count how many times the players who end up above or right of the pin on No. 7 wind up three-putting. It was a pivotal hole in the 2004 U.S. Open. Expect more of the same this year.
Even if a player hits two good shots there’s still the matter of sticking your approach in the right spot. Players better hope they’re not past or above the hole or that the ball hasn’t rolled into the back fringe or over the green because it’s darn near impossible to stop any pitch shot or putt in the opposite direction.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.
Don’t just drop a few balls and putt without a plan: Do a few long putting drills to help you figure out the green speed and always include a short putting drill to keep that part of your game sharp. For wedge practice spend time grooving your wedge distances—you’ll be amazed at how quickly you start knocking down pins when you know exactly how far you can carry each wedge.
Few trees exist on the course to hinder the free movement of heavy air from Long Island Sound and the Atlantic Ocean to say nothing about the neighboring waters of Hampton Mecox and Bullhead bays (and the smaller Cold Spring Old Fort Middle and Far ponds).
We all have different stroke mechanics to say nothing about hand sizes and body rhythms so the best grip for you may well be different from anyone else’s. That’s fine. But before you start tinkering take a look at the photos below.
Although the saw grip falls into the “alternative” or “unconventional” category it may be the most natural hold of all because with the saw grip your right hand never strays from the correct impact position from start to finish.
Here’s how it works: If you’re facing a short putt I want you to preview the short stroke you think will get the ball in the hole by physically replicating it from start to finish.
The good news is just a minor change in your setup can help mitigate the worst effects of these new turf conditions on your downhill shots to the pin. Check out the photo above. When I’m faced with a fast downhill shot like this one (to say nothing about the ball also being above my feet) I take a normal practice swing from my normal address position then move my hands down to the bottom of the grip as I move in to hit the shot.
Then it hits you: “Wow what a tough hole!” At 484 yards it demands an accurate drive in the fairway and another 200-yard-plus shot uphill to an elevated green. Corey Pavin needed 4-wood to get home in two on No. 18 during the final round in 1995 en route to victory. Today’s players are a lot longer than Corey but so is the hole and there’s only so much you can bite off with your tee shot. The approach remains a bona fide killer.