Bunkers left and right of the green are there to punish inaccuracy; heaven help the player who finds the sand on the right — he’ll face a huge change in elevation to a green running straight downhill from his line of flight. As I said Shinnecock is beauty and beast.
Even if a player hits two good shots there’s still the matter of sticking your approach in the right spot. Players better hope they’re not past or above the hole or that the ball hasn’t rolled into the back fringe or over the green because it’s darn near impossible to stop any pitch shot or putt in the opposite direction.
Sometimes poorly-struck putts go in and well-struck putts miss. Sometimes badly-read greens compensate for poorly struck putts. Results can confuse golfers when they don’t understand the true fundamentals of putting. Having the patience to learn to be a good putter is an incredible virtue for a golfer.
Three putts are shown rolling to the hole on three different lines one ball width apart from the ball(s) next to it. Consider the center line as perfect and the others slightly imperfect. The middle ball is a guaranteed make. The others the “imperfect” ones? They’ll go in too because they’re close enough to perfect to catch the edge of the cup and lip-in.
Raymond Floyd who grabbed his lone U.S Open here in 1986 recently tipped me off to this Shinnecock secret. If you moved every hole so that each tee box originated at the clubhouse you’d discover how Shinnecock forces you to play toward all points on the compass.
When I think of Shinnecock Hills two words come to mind: “national treasure.” As a researcher and golfer who has dedicated nearly four decades of his life to developing swing- and course-management strategies to help players shoot better scores it remains the ultimate test — if you can outthink this place you can outthink anyplace. I paid a visit to the William Flynn masterpiece last fall walking the fairways with my son Eddie and even playing a few shots. It was as vexing as ever.
In both cases the key is to adjust your shoulders so that they sit parallel to the slope you’re standing on while maintaining good balance so you can swing through the shot. A good practice swing is essential so you can “see” where your swing is bottoming out and making a divot. Use the divot’s location to confirm that you’ve positioned the little white ball in the right spot (i.e. before your wedge strikes the big green one).
And it can be — under normal circumstances. It’s not too difficult if the course is playing soft and slow despite the fact that the green is seriously sloped elevated in relation to its surroundings and crowned at two-thirds of the way from the front. Its reputation as a monster stems from the fact that in 2004 the winds completely dried out the green and made it play extremely firm and fast.
When you’re about to face a little longer putt say 12 to 15 feet I want you to preview the medium-length stroke you think will be perfect for the amount of break you’re playing.
That’s the saw’s primary advantage. It automatically removes any temptation to rotate the putterface through impact and almost assures a square strike. Granted the saw grip won’t work for everyone (remember we’re all different).
Regardless of skill level putting accounts for approximately 43 percent of your total strokes taking into account your good putting days and the ones where you’re ready to snap your flatstick over your knee. Lower this percentage and your scores will go down. Allocate at least one-third of your practice time to becoming the best putter you can be.
The beauty of the punch shot is that you can pull it off with any iron in your bag from 3-iron to pitching wedge which gives you a wide variety of distance options. Remember trouble is out there and you will find it. But now you have more than a puncher’s chance of keeping the damage to a minimum.