Have you ever taken a snapshot of one of your rounds? Say for example you just finished posting a 96. Have you ever actually taken the time to write down the clubs you used and how often you used them? You may not realize it but you can learn a lot about your game — and how to practice — from this information.
I think most golfers do about the same. Where some differ is in prioritizing the read over everything else. That’s where I emphasize the second-to-last step of the putting process: Matching the putt speed to the break.
Bunkers left and right of the green are there to punish inaccuracy; heaven help the player who finds the sand on the right — he’ll face a huge change in elevation to a green running straight downhill from his line of flight. As I said Shinnecock is beauty and beast.
And other golfers don’t take practice strokes at all. I’m simply recommending that you try the preview strokes I’ve described here and putt with your last thought being “That’s perfect!” rather than “I hope what I’ve been thinking feeling and doing are right.”
Then for the next 25 seconds I watched the ball slowly amble away from me down the green and past the hole. It eventually rolled off the front of the green stopping only after it had traveled 10 yards back down the fairway. Unfair? Maybe. Difficult? Absolutely! But this is the U.S. Open. This is Shinnecock.
The shot from the fairway stopped short of the first even though it landed in the same spot. That’s because you generated much more backspin due to the cleaner lie. And for the teed-up third ball which had zero grass on the clubface to interfere with contact you created max backspin and stopped the ball almost immediately after it hit the green.
You can solve the problem in two easy steps: When your front foot is below your back foot take a normal stance with a “centered” ball position then move your lead foot down the hill and tilt your shoulders with the slope (see the photo below). Setting up this way delofts the club so use a higher-lofted wedge.
Adding to the difficulty is the fact that Shinnecock’s greens run faster than Flynn originally intended. Shortly after he redesigned the course in 1931 (Shinnecock dates back to 1891) the USGA began measuring how fast and far balls rolled on level putting surfaces calling the measurement “green speed.”
At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
Of course practicing ball position and wedge swings at the range isn’t exactly like launching scoring shots on the course. In practice every lie (or nearly every lie) is perfect. In actual rounds imperfect lies abound.
It’s not all purgatory. Many of Shinnecock’s greens are downright friendly with raised edges that funnel shots toward the center of the putting surface. Most however are shaped to repel shots away from the flagstick and in some cases off the green entirely. Be advised: every green features serious undulation. A few are so sloped that it’s impossible to imagine the ball stopping on its own.
When you miss your putts should end up 17 inches past the hole. If you roll them faster you’ll suffer more lip-outs. Roll them slower and the ball will be knocked off line by imperfections (footprints pitch marks etc.) in the green.