In both cases the key is to adjust your shoulders so that they sit parallel to the slope you’re standing on while maintaining good balance so you can swing through the shot. A good practice swing is essential so you can “see” where your swing is bottoming out and making a divot. Use the divot’s location to confirm that you’ve positioned the little white ball in the right spot (i.e. before your wedge strikes the big green one).
You may also have noticed the unusual array of clubs and balls on the ground in front of me. What I’ve done is created five groups that together represent a typical round of 96 shots in terms of the number of shots hit with each type of club:
Start by analyzing your grip. Building a hold that gives you trust and confidence is critical. And despite what you may hear there are no guidelines to crafting the right putting grip for you. My mantra: “The best way to putt is with the grip and stroke that helps you hole the most putts while also avoiding 3-putts.”
You OWN a pre-putt routine. That’s good — it’s essential to long-term success on the greens. I bet however that your routine (what you do after you’ve marked cleaned and replaced your ball) fails to include a preview stroke which is a practice stroke made with a clear intention of matching the length of your stroke to the putt you’re about to attempt.
At our schools we incorporate rhythm into pre-putt rituals then carry that same rhythm through the stroke. Rhythm is the harbinger of consistency. You’ve got to find your own and groove it.
Even if you aim perfectly to allow for the exact break of a putt if you then roll your ball too fast it will miss above the hole. And if you roll it too slowly it will likely miss below the cup.
And you don’t have to change the length of your motion — you can keep your stroke the same length as it normally is and still transfer less power to the ball. The shot will come out a little softer than normal but with the same characteristics: a little bite on the first bounce then a release and rollout down the slope.
The only way to know if it’s right for you is through good old-fashioned experimentation: testing it out on short putts (six feet and three feet in a circle around the cup) medium-length putts (10- 20- and 30-footers); and then long lag putts (35 feet and longer).
This is the natural position for nearly all golf swings except putting. The only reason you see my right hand in that position in the putting photo is that I’m using a saw grip. If I had started with a conventional grip and allowed my right hand to rotate into position as in the other two pictures my putterface would be dead shut and I probably would have missed the putt.
The green is the second-largest on the course with a consistent elevation drop of four feet from back to front (though mild undulations help channel shots toward the center of the green). Depending on the wind direction don’t be surprised to see some players swing driver here. It’s an absolute beast.
The goal of my visit was to paint a picture of the challenges that await the best players in the world so you can better appreciate the drama sure to unfold before your eyes during the playing of the 118th U.S. Open whether you’re there in person or catching it on TV.
The tall grass at Shinnecock — here and all over the course — can be so severe that I’ve discussed with some players heading into this year’s Open the usually unthinkable option of taking an unplayable-lie penalty and dropping within two club-lengths if and when they find such a nasty patch of grass. As absurd as this idea may sound my experience proves it a viable shot-saving strategy.