As you can see the green is high in the back right and has more than four feet of elevation change down to the front-center. The putting surface slopes away from both the left- and right-side bunkers making it difficult to stop sand shots close to short-sided pins.
Three putts are shown rolling to the hole on three different lines one ball width apart from the ball(s) next to it. Consider the center line as perfect and the others slightly imperfect. The middle ball is a guaranteed make. The others the “imperfect” ones? They’ll go in too because they’re close enough to perfect to catch the edge of the cup and lip-in.
To launch a good wedge shot it’s important to strike the little white ball (with the dimples) before you hit the big green one (the earth). And since every swing has a bottom to its arc you need to position the white orb just behind it so that your contact goes “white-then-green”—not vice versa.
Although the saw grip falls into the “alternative” or “unconventional” category it may be the most natural hold of all because with the saw grip your right hand never strays from the correct impact position from start to finish.
Bunkers left and right of the green are there to punish inaccuracy; heaven help the player who finds the sand on the right — he’ll face a huge change in elevation to a green running straight downhill from his line of flight. As I said Shinnecock is beauty and beast.
The seventh hole at Shinnecock Hills is the ultimate example of why you need to leave approach shots below the hole on severely sloping greens. As you watch the Open count how many times the players who end up above or right of the pin on No. 7 wind up three-putting. It was a pivotal hole in the 2004 U.S. Open. Expect more of the same this year.
You OWN a pre-putt routine. That’s good — it’s essential to long-term success on the greens. I bet however that your routine (what you do after you’ve marked cleaned and replaced your ball) fails to include a preview stroke which is a practice stroke made with a clear intention of matching the length of your stroke to the putt you’re about to attempt.
Once set step in and repeat the preview in every detail. More importantly feel good about it. A preview should fill you with confidence. I have no doubt that if you give your putting previews your best effort everything about your putting will improve from your sense of feel and touch to your ability to roll it in from anywhere on the green.
Of course a lot of players will successfully avoid the trouble and land their tee shots on the green. Even in this scenario No. 7 can still derail a player’s hopes of winning the championship. In fact you can stick it to four feet and still have problems.
This isn’t a figment of my imagination. I see it every day on the pro tours and in my short-game and putting schools. Pitches and chips are harder to stop putts break more and roll farther and the difficulty of the scoring game around the greens continues to increase.
For this “Backspin vs. Lie” experiment you’ll need your lob wedge a tee and three balls. Select a 20- to 30-yard shot around a green that forces you to carry a bunker but that provides plenty of room between the apron and the pin.
I take my cues from the game’s best putters who strive to never doubt the amount of break they plan to play after they’ve read the green. They commit to whatever amount of break they see and then try to match their putt speed to allow the ball to break that amount into the cup.