You need two things to make breaking putts: 1) a stroke that starts the ball on your chosen line and 2) the correct amount of speed so the ball can hold that line all the way to the cup. Good line good speed—nailing one isn’t enough.
The goal of my visit was to paint a picture of the challenges that await the best players in the world so you can better appreciate the drama sure to unfold before your eyes during the playing of the 118th U.S. Open whether you’re there in person or catching it on TV.
Most also spend a majority of their warm-up and practice time grooving or rehearsing their full swings on the range; they may manage to get a few putts in but then it’s usually off to the course for an adventure-filled 18.
Raymond Floyd who grabbed his lone U.S Open here in 1986 recently tipped me off to this Shinnecock secret. If you moved every hole so that each tee box originated at the clubhouse you’d discover how Shinnecock forces you to play toward all points on the compass.
And you don’t have to change the length of your motion — you can keep your stroke the same length as it normally is and still transfer less power to the ball. The shot will come out a little softer than normal but with the same characteristics: a little bite on the first bounce then a release and rollout down the slope.